This is another satirical video made by Greg Amenoff (Bill Bob) and myself (Dan Pike) with our “Fine Art Troupers” at the Museum of Fine Arts in Boston in the mid-1970’s. This bit is called “Hovering Bubbles”. -Dean Nimmer, February 2015
This is another satirical video made by Greg Amenoff (Bill Bob) and myself (Dan Pike) with our “Fine Art Troupers” at the Museum of Fine Arts in Boston in the mid-1970’s. This bit is called “Oriental Sculpture Expert” – you have to see it to get it.
Incredible that we got away with these antics filmed in the actual museum, but it was sponsored by the MFA’s, art education dept as a “public service video.” I think they were all fired soon after it’s release! -Dean Nimmer, February 2015
This is a 3-minute video clip of Greg Amenoff and me explaining “portraiture” at the Museum of Fine Arts in Boston in 1978 – yes, 1978. This was one segment of many satire videos we did on art and museums, and yes, those are mutton chop sideburns I had back then. -Dean Nimmer, February 2015
The near perfect proportions of my pyramid have atrophied somewhat.. so I thought I’d spiff up the scene with some moving pictures. Katie Richardson (katierayart.com) nominated me for the Viral Art Challenge. I found all this white stuff lying around my front yard so I built a seven foot pyramid. #viralartchallenge
MARE finds “a permanent place to call home” for children in foster care, including sibling groups and children who are traditionally harder to place. We do this by recruiting and supporting families throughout the adoption process. So far, MARE has helped over 6,000 children join their “forever families.” www.mareinc.org
The ARTBARN team is busy writing, building, and scheming in preparation of the mystical, moving, and haunting piece we’ll launch this May. And you — yes, you! you theatre-lover, you summer-dweller, you number-one-fan-of-artistic-collaboration — can be a part of it. Help make it happen for ARTBARN.
ARTBARN gathers together innovative artists from across disciplines and around the county for a residency at Byrdcliffe Arts Colony culminating in a festival of site-specific work that allows an audience to re-see a space, a story, a relationship, and themselves.